Looking Back at BestB4 Collective Community Events — artist salon with Daphne Harwood and Debra Sloan

BestB4 Collective Salon featured a conversation between Daphne Harwood and Debra Sloan on Sunday, 06 December in the On-Tak Cheung Gallery at the Chinese Cultural Centre of Greater Vancouver. 

Daphne Harwood was one of the originators of the Imagination Market, a non-profit organization that promoted the reuse and repurposing of usable industrial discards. Now the building site where the Imagination Market was has been transformed by Vancouver City Council's approval of a 52-storey tower. Harwood spoke about how she has been documenting this transition in photography, journaling, quilt-making and assemblage.

Debra Sloan is a Vancouver-based ceramic sculptor and the 2015 recipient of the Mayor's Design and Craft Award. Her slip cast dogs, horses and baby figures challenge and surprise viewer assumptions and attitudes. Sloan's work has been exhibited locally, across Canada and internationally, and most recently awarded the Vancouver Mayor's Art Award and biannual Hilde Gerson Award by the Craft Council of BC. She spoke about her recent ceramic residency at C.R.E.T.A. in Rome.

Both artists discussed the influence that the environment had on their artist practice and bodies of work. Debra Sloan works in ceramic residencies that offer the opportunity to research both techniques and ceramics history. Daphne Harwood works from a documentary perspective, using journaling and photography as a starting point; her current work continues as Vancouver house progresses from the demolition of the original Imagination Market site to construction and eventually occupancy. 

Telling Story/a visual art exhibition continues in the On-Tak Exhibition Hall at the Chinese Cultural Centre Museum of Greater Vancouver (555 Columbia at Keefer) until Saturday, 19 December. The gallery is open Tuesday- Sunday (11 - 5 pm). The limited edition exhibition catalogue can be purchased for $20 at the Chinese Cultural Museum. 

Looking Back at BestB4 Collective Community Events — an artist tour and exhibition catalogue launch

BestB4 Collective artists Jim Friesen, Daphne Harwood, Alison Keenan, Sophi Liang, Colette Lisoway, Edward Peck, Phyllis Schwartz, Debra Sloan and June Yun guided visitors through a  tour of Telling Stories: A Visual Art Exhibition at the Chinese Cultural Centre Museum on Sunday 29 November. Artists told stories that enlivened their photography, painting, ceramics, fibre and installations and engaged viewers in dialogue about contemporary issues that weave together their collective exhibition. 


Telling Story/a visual art exhibition continues in the On-Tak Exhibition Hall at the Chinese Cultural Centre Museum of Greater Vancouver (555 Columbia at Keefer) until Saturday, 19 December. The gallery is open Tuesday- Sunday (11 - 5 pm). The limited edition exhibition catalogue can be purchased for $20 at the Chinese Cultural Museum. 

Looking Back at BestB4 Collective Community Events — Tea and Storytelling

Sophi Liang, visual artist exhibiting in Telling Stories, organized an afternoon Tea and Story Party for the BestB4 Collective at the Chinese Cultural Centre Museum on Saturday, 21 November. The first of three community events included presentations by Ben Fong, tea specialist and Jim Wong-Chu, historian and poet.

Ben Fong explains the purpose of two types of tea bowls

Fong demonstrated and narrated tea preparation techniques. This included several styles of tea brewing accompanied by a samples. A generous assortment of tea cakes and treats were shared along with stories about the history of tea and tea culture.

Wong-Chu read poems about Chinatown from Chinatown Ghosts, published by Pulp Arsenal Press. These poems prompted stories about Chinatown history and culture.

Jim Wong-Chu reads from Chinatown Ghosts

Well attended and well documented, Liang's Tea and Story Party lingered until late in the afternoon. Telling Story/a visual art exhibition continues in the On-Tak Exhibition Hall at the Chinese Cultural Centre Museum of Greater Vancouver (555 Columbia at Keefer) until Saturday, 19 December. The gallery is open Tuesday- Sunday (11 - 5 pm).

Telling Stories in the Community

Colette Lisoway: Printmaking Demonstration at the Chinese Cultural Centre Museum

June Yun's Calligraphy Workshop
at the Chinese Cultural Centre Museum of Greater Vancouver

Telling Stories/a visual arts exhibition invited community to extend the exhibition through participating in workshops offered by BestB4 Collective artists Colette Lisoway (printmaking) and June Yun (Calligraphy). Both workshops drew sizeable crowds for afternoons of skill building and story sharing. 

Colette Lisoway explained the different techniques of transferring an image through a screen onto fabric or paper and also a discussion on colour. Very quickly the students loaded paint onto their screens and then the magic began. Everyone eagerly participated and at the end of the session each had an art work to take home.

June Yun's Calligraphy Workshop introduced the four treasures: rice paper, writing brus, ink and ink slab. Her hands-on teaching approach offered participants an opportunity to learn and practice calligraphy techniques with helped to better understand Chinese art and culture.

Telling Stories/a visual art exhibition continues through Saturday, 19 December in the On-Tak Cheung Gallery at the Chinese Cultural Museum (555 Columbia Street at Keefer), 11AM - 5 PM.

School Tours Continue — Britannia Secondary Students Visit Telling Stories/a visual art exhibition

Britannia Secondary School students in Ariel Boulet's Ceramics and Photography classes visited Telling Stories/a visual art exhibition on Friday, 04 December. They were greeted by Alison Keenan and Phyllis Schwartz,  curators of the exhibition, who introduced to the idea of conflict as a central storytelling element in the exhibition. Edward Peck, Jim Friesen and Debra Sloan spoke to the specifics of their work on show.

Edward Peck explained the process of discovering layers of storytelling on the graffitied walls in Berlin. He quoted Dorthea Langer: "A camera is a tool for learning how to see without a camera," and illustrated the application of this quote in his work.

The development of his series was the focus of Jim Friesen's artist talk. He explained how he used both sequence and title to develop the concept of a mystery unfolding in his landscape photography. In his talk about The Swimmer, he spoke about both poetic and narrative elements in his imagery. 

Debra Sloan spoke about the sources of the stories found in her ceramic sculpture. She focussed on character and conflict. She further explained that the sculptural surface offered the opportunity to add narrative landscape elements. 

BestB4 Collective artists will continue to work with these students in their classes at Britannia Secondary School, and their work will be displayed in the foyer of the Vancouver School Board in February.                  

Sunday's Salon — two artists telling stories about their stories (Part 2)

Debra Sloan: Whisper Sweet Nothings

Join the BestB4 Collective Salon for a conversation with Daphne Harwood and Debra Sloan this Sunday, December 6 (2 - 4 pm) at the Chinese Cultural Centre Museum (555 Columbia Street at Keefer).

Debra Sloan: Maple Tree

Debra Sloan is a Vancouver-based ceramic sculptor and 2015 recipient of Mayor’s Design and Craft Award. Her slip cast dogs, horses and baby figures challenge and surprise the viewers’ assumptions and attitudes. Her work has been exhibited locally, across Canada and internationally and most recently awarded the Vancouver Mayor’s Art Award and biannual Hilde Gerson Award by the Craft Council of B.C. Debra Sloan has recently returned from a six-week residency at C.R.E.T.A. in Rome.

Sculptural work by Sloan in Telling Stories is from Horsing Around, a series that grew out of her experience as Artist in Residence at the Leach Potter in St. Ives. This series of horse and rider continued a solo exhibition at the Gallery of BC Ceramics(2015).

Debra Sloan: The Edge of Nowhere

Over time, says Debra Sloan,my figures have become what I call proto-human, neither male nor female, adult or baby. Landscapes and architectural references are about my environs and provide opportunity to add contextual layers. Placing my figures and images within metaphorical constructs, and outside of how we normally encounter them, is how I comment on our interaction with environments and society.

Debra Sloan: On the Merry-Go-Round

Debra Sloan: Riders to the Coast

Sunday's Salon — two artists telling stories about their stories (Part 1)

Join the BestB4 Collective Salon for a conversation with Daphne Harwood and Debra Sloan this Sunday, December 6 (2 - 4 pm) at the Chinese Cultural Centre Museum (555 Columbia Street at Keefer). 

Clay Model of Imagination Market (1989, artist unknown)

Daphne Harwood was one of the originators of the Imagination Market, a non-profit organization that promoted the reuse and repurposing of usable industrial discards. Now the building site where the Imagination Market was has been transformed by Vancouver City Council’s approval of a 52-storey tower. Harwood has been documenting this transition in photography, journaling, quilt-making and assemblage.

Harwood's work for Telling Stories is about two projects in her neighborhood. One project was The Imagination Market that was housed in 1435 Granville Street between 1986-89. The other project is happening right now: the building of a 52 story condo called Vancouver House, designed by Bjarke Ingels.  The installation pieces by Harwood look at the land and the transformations that have taken place on this land from 1850 until the present.  It maps the transition from virgin forrest near a tidal inlet, to a large land-clearing lumber operation, to a zone for light industry that gave way to homeless people, then to a complete razing in preparation for erecting a dramatic building and a new neighborhood complex.

Photo Essay of the transition
from Imagination Market to Vancouver House

In her own words:

I look at these neighborhood projects through several lenses: Impermanence—of buildings & land allocation & communities. Re-use—of materials that are generated by humans. This was a key feature of what Imagination Market did by collecting scraps from industries & business that could be reused for art, craft & play. And re-use is vividly shown in the demolition, excavation, & construction in the block where Vancouver House will go. The Non/Traditional Quilt in the show is made from scrap material. Mapping—my memories are often held in maps that I make of where I went, what I did.  Finally, people often say of quilts, “If the patches could talk what tales they would tell.” I wondered about all the occupants of 1435 Granville Street which was built in 1942. The building is now deceased and its body dispersed, but I did want to think about the “life" of this building. This is the lens of Honoring. The workers, engineers, architects, occupants,  tools, sewer line diggers, & new technologies and old.